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the carnivalesque origins of mardi gras and easter

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the qualities of carnival

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rituals can be invented...

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a man walks across this empty space whilst someone else is watching him, and this is all that is needed for an act of theatre to be engaged.
—peter brooks

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grand tableau of the mistick krewe, new orleans mardi gras, 1873

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'powwow instructions of lillie a. moyer for treating wildfire', by tulpehocken, berks county, 1893

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'fantasmagorie’ is the world's first fully animated cartoon motion picture. (1908)

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how ritual enables us to experience empathy

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bodies as vehicles for 'rhetorical performance'

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a post from machinic.specters (ig)

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clarke hutton, 1955

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carnival and nomadicism

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robert van hennik offers cartographies for systemic nomads

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"the overall nomadic stance is this: i need to carry little to nothing because the environment will provide all i need."

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artists are migratory..

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how ‘the market’ is a kind of metaphysical entity and how it is harming us

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book recommendation

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the etymology of carnival

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the ritual death of the amusement park

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'tree', by mu pan, 2021

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everything is performing, all the time

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what does it mean to be an artist?

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how mikhail bakhtin defines 'carnival'

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the nomadic subject… does not adhere to herself, but it is a perpetual return of paradoxes

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robert clampett, 1939

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american meat institute, 1945

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'the magic circus' by mark ryden (2018)

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the relations between the gods and meat

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book recommendation

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some excerpts from 'masons, tricksters, and cartographers', by david turnbull

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a book called 'unusual designs from everyday materials' by elizabeth ashurst, 1976

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'running man dressed in motley clothes', from the collection 'proverbi figurati', by giuseppe maria mitelli (1678)

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"o that i were a fool! i am ambitious for a motley coat."
—from the play 'as you like it', by william shapespeare, act 2 scene 7 (1599)

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the artist’s task is to deconstruct the walls of the museum

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"landscapes are piecemeal compositions [motleys] in which understandings are constantly made and remade from incomplete knowledge."
—ed wall

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